The Longest Post On Filmwurld

[oscar jubis]

[QUOTE=oscar jubis;5665]Below is my 30-yrs-in-the-making list of "Great Films I Love". A fluid, ever-changing list of movies whose pleasures endure through repeat viewings. Movies that appeal to me personally, ordered chronologically (year of world premiere).

1895. ARRIVAL OF A TRAIN AT LA CIOTAT (Lumiere)
1896. LEAVING JERUSALEM (Lumiere)
1900. AS SEEN THROUGH A TELESCOPE (George A. Smith)
------- THE ONE-MAN BAND (Georges Melies)
1902. A TRIP TO THE MOON (Melies)
1903. THE GREAT TRAIN ROBBERY (Edwin S. Porter)
1907. THE GOLDEN BEETLE (Segundo de Chomón)
1909. A CORNER IN WHEAT (D.W. Griffith)
------ A DRUNKARD'S REFORMATION (Griffith)
------ PRINCESS NICOTINE (J. Stuart Blackton)
1913. SUSPENSE (Lois Weber)
------ THE CHILD OF PARIS (Perret)
1915. LES VAMPIRES (Feuillade)
1916. HELL'S HINGES (Hart/Swickard)
-------INTOLERANCE (Griffith)
------ THE MYSTERY OF THE LEAPING FISH (John Emerson)
1917---THE IMMIGRANT (Chaplin)
1919. BROKEN BLOSSOMS (Griffith)
1920. CABINET OF DR. CALIGARI (Weine)
-------THE PARSON'S WIDOW (Dreyer)
-------WAY DOWN EAST (Griffith)
1921. ORPHANS OF THE STORM (Griffith)
------- THE KID (Chaplin)
--------THE PHANTOM CARRIAGE (Sjostrom)
1922. FOOLISH WIVES (Von Stroheim)
-------NANOOK OF THE NORTH (Flaherty)
-------NOSFERATU (Murnau)
1923. LA ROUE (Gance)
1924. THE LAST LAUGH (Murnau)
-------NIBELUNGEN (Lang)
-------SHERLOCK JR. (Keaton)
1925. THE BIG PARADE (Vidor)
-------THE GOLD RUSH (Chaplin)
-------GREED (Von Stroheim)
-------LADY WINDERMERE'S FAN (Lubitsch)
-------POTEMKIN (Eisenstein)
1926. FAUST (Murnau)
1927. THE GENERAL (Keaton)
-------LA GLANCE A TROIS FACES (Jean Epstein)
-------METROPOLIS (Lang)
-------SEVENTH HEAVEN (Borzage)
-------SUNRISE (Murnau)
1928. THE CROWD (Vidor)
-------DOCKS OF NEW YORK (Sternberg)
-------LONESOME (Fejos)
-------PANDORA'S BOX (Pabst)
-------THE PASSION OF JEANNE D'ARC (Dreyer)
-------SHOOTING STARS (Anthony Asquith)
-------SPIES (Fritz Lang)
-------STREET ANGEL (Borzage)
1929. MAN WITH A MOVIE CAMERA (Vertov)
-------UN CHIEN ANDALOU (Bunuel)
1930. THE BLUE ANGEL (Sternberg)
-------EARTH (Dovzhenko)
-------L'AGE D'OR (Bunuel)
-------MURDER! (Hitchcock)
1931. LA CHIENNE (Renoir)
--------CITY LIGHTS (Chaplin)
------THE 3 PENNY OPERA (Pabst/Germany)
1932. A FAREWELL TO ARMS (Borzage)
------BOUDU SAVED FROM DROWNING (Renoir)
------FREAKS (Browning)
------I WAS BORN BUT... (Ozu)
------LOVE ME TONIGHT (Mamoulian)
------SHANGHAI EXPRESS (Sternberg)
------TROUBLE IN PARADISE (Lubitsch)
1933. HALLELUJAH, I'M A BUM (Milestone)
-------LA MATERNELLE (Epstein/Benoit-Levy)
-------LA MUJER DEL PUERTO (Arcady Boytler/Mexico)
-------ZERO IN CONDUCT (Vigo)
1934. IT HAPPENED ONE NIGHT (Capra)
-------L'ATALANTE (Vigo)
-------SCARLET EMPRESS (Sternberg)
-------EL COMPADRE MENDOZA (Fernando de Fuentes/Mexico)
1935. THE INFORMER (Ford)
------- PETER IBBETSON (Hathaway)
------- SYLVIA SCARLETT (Cukor)
1936. A DAY IN THE COUNTRY (Renoir)
-------MODERN TIMES (Chaplin)
-------OSAKA ELEGY (Mizoguchi)
-------SISTERS OF THE GION (Mizoguchi)
1937. GRAND ILLUSION (Renoir)
-------THE AWFUL TRUTH (McCarey)
-------MAKE WAY FOR TOMORROW (McCarey)
1938. ALEXANDER NEVSKY (Eisenstein)
-------HOLIDAY (Cukor)
1939. THE RULES OF THE GAME (Renoir)
------STAGECOACH (Ford)
------STORY OF THE LATE CHRYSANTHEMUMS (Mizoguchi)
1940. THE GREAT DICTATOR (Chaplin)
------HIS GIRL FRIDAY (Hawks)
-------PINOCCHIO (Sharpsteen)
-------THE SHOP AROUND THE CORNER (Lubitsch)
1941. CITIZEN KANE (Welles)
------SULLIVAN'S TRAVELS (Preston Sturges)
1942. THE MAGNIFICENT AMBERSONS (Welles)
------OSSESSIONE (Visconti)
1943. CASABLANCA (Curtiz)
-------DAY OF WRATH (Dreyer)
-------DISTINTO AMANECER (Julio Bracho)
-------I WALKED WITH A ZOMBIE (Tourneur)
-------MESHES OF THE AFTERNOON (Deren)
-------THE SEVENTH VICTIM (Mark Robson)
1944. CURSE OF THE CAT PEOPLE (von Fritsch)
-------LAURA (Preminger)
-------MIRACLE OF MORGAN'S CREEK (Sturges)
1945. IVAN THE TERRIBLE (Eisenstein)
-------ROMA: OPEN CITY (Rosellini)
------- THE SOUTHERNER (Renoir)
1946. NOTORIOUS (Hitchcock)
-------SHOESHINE (De Sica)
-------THE BEST YEARS OF OUR LIVES (Wyler)
1947. MONSIEUR VERDOUX (Chaplin)
--------BODY AND SOUL (Robert Rossen)
--------OUT OF THE PAST (Tourneur)
1948. BICYCLE THIEVES (De Sica)
-------LA TERRA TREMA (Visconti)
-------LETTER FROM AN UNKNOWN WOMAN (Ophuls)
-------TREASURE OF THE SIERRA MADRE (Huston)
1949. -THE HEIRESS (Wyler)
-------THE THIRD MAN (Reed)
-------LATE SPRING (Ozu)
-------PUEBLERINA (Emilio Fernandez)
1950. AVENTURERA (Alberto Gout)
-------STARS IN MY CROWN (Tourneur)
-------LOS OLVIDADOS (Bunuel)
1951. ACE IN THE HOLE (Wilder)
------- RASHOMON (Kurosawa)
-------THE RIVER (Renoir)
1952.IKIRU (Kurosawa)
-------OTHELLO (Welles)
-------THE LIFE OF OHARU (Mizoguchi)
1953. EARRINGS OF MADAME DE... (Ophuls)
-------THE GOLDEN COACH (Renoir)
-------TOKYO STORY (Ozu)
-------UGETSU (Mizoguchi)
1954. THE CRUCIFIED LOVERS (Mizoguchi)
-------LATE CHRYSANTHEMUMS (Naruse)
-------REAR WINDOW (Hitchcock)
-------SALT OF THE EARTH (Biberman)
-------SANSHO THE BAILIFF (Mizoguchi)
-------SOUND OF THE MOUNTAIN (Naruse)
1955. THE NIGHT OF THE HUNTER (Laughton)
-------ORDET (Dreyer)
-------PATHER PANCHALI (Ray)
1956. APARAJITO (RAY)
------THE SEARCHERS (Ford)
-------THE SEVENTH SEAL (Bergman)
1957. A MAN ESCAPED (Bresson)
-------AN AFFAIR TO REMEMBER (McCarey)
-------THE CRANES ARE FLYING (Kalatozov)
-------NIGHTS OF CABIRIA (Fellini)
-------PATHS OF GLORY (Kubrick)
-------WILD STRAWBERRIES (Bergman)
1958. TOUCH OF EVIL (Welles)
-------VERTIGO (Hitchcock)
1959. THE 400 BLOWS (Truffaut)
-------ANATOMY OF A MURDER (Preminger)
-------FLOATING WEEDS (Ozu)
-------FRITZ LANG'S INDIAN EPIC (Lang)
-------HIROSHIMA, MON AMOUR (Resnais)
-------IMITATION OF LIFE (Sirk)
-------MOI, UN NOIR (Rouch)
-------NORTH BY NORTHWEST (Hitchcock)
-------PICKPOCKET (Bresson)
-------SOME LIKE IT HOT (Wilder)
-------THE WORLD OF APU (Ray)
1960. L'AVVENTURA (Antonioni)
-------PEEPING TOM (Powell)
-------PSYCHO (Hitchcock)
-------WHEN A WOMAN ASCENDS THE STAIRS (Naruse)
-------WILD RIVER (Kazan)
-------THE YOUNG ONE (Bunuel)
1961. LAST YEAR AT MARIENBAD (Resnais)
-------PLACIDO (Berlanga)
-------VIRIDIANA (Bunuel)
1962. LA JETEE (Marker)
--------L'ECLISSE (Antonioni)
-------MAMA ROMA (Pasolini)
-------MAN WHO SHOT LIBERTY VALANCE (Ford)
-------MANCHURIAN CANDIDATE (Schlesinger)
-------MY LIFE TO LIVE (Godard)
1963. 8 1/2 (Fellini)
-------CONTEMPT (Godard)
-------EL VERDUGO (Berlanga)
-------THE LEOPARD (Visconti)
-------MURIEL or THE TIME OF RETURN (Resnais)
-------THE ORGANIZER (Monicelli)
-------SHOCK CORRIDOR (Fuller)
1964. DR. STRANGELOVE (Kubrick)
-------GERTRUD (Dreyer)
-------MARNIE (Hitchcock)
-------SHADOWS OF OUR FORGOTTEN ANCESTORS (Paradjanov)
1965. ALPHAVILLE (Godard)
-------FALSTAFF (Welles)
-------LA NOIRE DE... (Sembene)
-------REPULSION (Polanski)
-------THE SHOP ON MAIN STREET (Kadar)
1966. AU HASARD BALTHAZAR (Bresson)
-------CLOSELY WATCHED TRAINS (Menzel)
1967. MOUCHETTE (Bresson)
-------PLAYTIME (Tati)
-------TITICUT FOLLIES (Wiseman)
1968. 2001: A SPACE ODYSSEY (Kubrick)
-------THE COLOR OF POMEGRANATES (Paradjanov)
-------THE JOKE (Jires)
------ MEMORIAS DEL SUBDESARROLLO (Gutierrez Alea)
1969. ANDREI RUBLEV (Tarkovsky)
1970. THE CONFORMIST (Bertolucci)
-------THE GARDEN OF THE FINZI-CONTINIS (De Sica)
-------WOODSTOCK (Wadleigh)
1971. McCABE AND MRS. MILLER (Altman)
-------MURMUR OF THE HEART (Malle)
-------WALKABOUT (Roeg)
1972. THE DISCREET CHARM OF THE BOURGEOISE (Bunuel)
1973. AGUIRRE, THE WRATH OF GOD (Herzog)
-------CELINE AND JULIE GO BOATING (Rivette)
-------LAST TANGO IN PARIS (Bertolucci)
-------THE SPIRIT OF THE BEEHIVE (Erice)
1974. ALI: FEAR EATS THE SOUL (Fassbinder)
-------CHINATOWN (Polanski)
-------EDVARD MUNCH (Watkins)
-------THE GODFATHER II (COPPOLA)
-------HEARTS AND MINDS (Davis)
1975. BARRY LYNDON (Kubrick)
-------NASHVILLE (Altman)
-------ONE FLEW OVER THE CUCKOO'S NEST (Forman)
1976. CRIA (Saura)
-------HARLAN COUNTY, USA (Kopple)
1977. ERASERHEAD (Lynch)
1978. THE TREE OF WOODEN CLOGS (Olmi)
1979. APOCALYPSE NOW (Coppola)
-------STALKER (Tarkovsky)
1980. BERLIN ALEXANDERPLATZ (Fassbinder)
1981. MODERN ROMANCE (Albert Brooks)
------MOANA WITH SOUND (Flaherty)
------PIXOTE (Babenco)
------ REDS (Beatty)
1982. FANNY AND ALEXANDER (Bergman)
-------LA TRAVIATA (Zefirelli)
1983. EL SUR (Erice)
-------SANS SOLEIL (Marker)
1984. ONCE UPON A TIME IN AMERICA (Leone)
1985. A TIME TO LIVE, A TIME TO DIE (Hou)
-------BRAZIL (Gilliam)
------- FOREST OF BLISS (Gardner)
-------THE OFFICIAL STORY (Puenzo)
-------SHOAH (Lanzmann)
1986. MELO (Resnais)
1987. FULL METAL JACKET (Kubrick)
-------THE LAST EMPEROR (Bertolucci)
-------YEELEN (Cisse)
1988. DEKALOG (Kieskowski)
-------DISTANT VOICES, STILL LIVES (Davies)
-------THE GRAVE OF THE FIREFLIES (Takahata)
-------LANDSCAPE IN MIST (Angelopoulos)
-------THE LAST TEMPTATION OF CHRIST (Scorsese)
1989. DO THE RIGHT THING (Spike Lee)
-------MY LEFT FOOT (Sheridan)
1990. GOODFELLAS (Scorsese)
-------JU DOU (Yimou)
-------MONSIEUR HIRE (Leconte)
1991. A BRIGHTER SUMMER DAY (Yang)
-------DAUGHTERS OF THE DUST (Julie Dash)
-------RAISE THE RED LANTERN (Yimou)
-------TOTO THE HERO (Dormael)
-------NAKED LUNCH (Cronenberg)
1992. ACTRESS (Kwan)
-------THE BOYS OF ST. VINCENT (Smith)
-------LESSONS OF DARKNESS (Herzog)
-------THE LONG DAY CLOSES (Davies)
-------UNFORGIVEN (Eastwood)
1993. BUTTERFLY WINGS (Ulloa)
-------FAREWELL, MY CONCUBINE (Kaige)
-------GROUNDHOG DAY (Ramis)
-------THE PUPPETMASTER (Hou)
-------WITTGENSTEIN (Derek Jarman)
1994. BEFORE THE RAIN (Manchevski)
-------CRUMB (Zwigoff)
-------EXOTICA (Egoyan)
-------THREE COLORS: BLUE/WHITE/RED (Kieslowski)
-------TO LIVE (Yimou)
1995. DEAD MAN (Jarmusch)
-------SAFE (Haynes)
-------UNDERGROUND (Kusturica)
1996. BREAKING THE WAVES (Trier)
-------IRMA VEP (Assayas)
-------LONE STAR (Sayles)
1997. KUNDUN (Scorsese)
------THE MAELSTROM (Peter Forgacs)
-------THE SWEET HEREAFTER (Egoyan)
-------THE TASTE OF CHERRY (Kiarostami)
1998. FLOWERS OF SHANGHAI (Hou)
1999. EYES WIDE SHUT (Kubrick)
-------THE WIND WILL CARRY US (Kiarosatami)
2000. IN THE MOOD FOR LOVE (Kar Wai)
--------SUZHOU RIVER (Ye)
2001. A.I. ARTIFICIAL INTELLIGENCE (Spielberg/Kubrick)
-------THE SWAMP (Martel)
-------MULLHOLLAND DRIVE (Lynch)
-------SPIRITED AWAY (Miyazaki)
-------TIME OUT (Cantet)
2002. ADAPTATION (Spike Jonze/Charlie Kaufman)
------ ARARAT (Egoyan)
-------BLOODY SUNDAY (Greengrass)
-------THE MAGDALENE SISTERS (Mullan)
-------THE PIANIST (Polanski)
-------RUSSIAN ARK (Sokurov)
-------THE SON (Dardenne)
2003. A TALKING PICTURE (de Oliveira)
------THE CORPORATION (Abbott/Achbar)
2004. ETERNAL SUNSHINE OF THE SPOTLESS MIND (Gondry)
-------THE HOLY GIRL (Martel)
------ SHAKE HANDS WITH THE DEVIL:THE JOURNEY OF ROMEO DALLAIRE
------ 2046 (Kar Wai)
------ YES (Potter)
2005. COMO PASAN LAS HORAS (Oliveira Cezar)
------THE NEW WORLD (Malick)
------ THREE TIMES (Hou)
2006. AWAY FROM HER (Polley)
-------FICTION (Gay)
-------HALF NELSON (Fleck)
-------INLAND EMPIRE (Lynch)
-------OFFSIDE (Panahi)
-------PAN'S LABYRINTH (del Toro)
2007. CHOP SHOP (Bahrani)
2008. ASHES OF TIME Redux (Kar Wai)
--------GOODBYE SOLO (Bahrani)
--------THE HEADLESS WOMAN (Martel)
--------LIVERPOOL (Alonso)
2009. THE WHITE RIBBON (Haneke)
2010. GREENBERG (Baumbach/USA)
------MYSTERIES OF LISBON (Ruiz/Portugal)
------NOSTALGIA FOR THE LIGHT (Guzman/Chile)
------THE STRANGE CASE OF ANGELICA (Oliveira/Portugal)
2011. A SEPARATION (Farhadi/Iran)
------THE ARBOR (Clio Barnard/UK)
------THE TREE OF LIFE (Malick/USA)
------THE TURIN HORSE (Bela Tarr/Hungary)
2012-HERE AND THERE (Mendez Esparza/Mexico)
2013-PARADISE:LOVE/FAITH/HOPE (Seidl/Austria)
2014-GOODBYE TO LANGUAGE (Godard/France-Switzerland)
-----HORSE MONEY (Pedro Costa/Portugal)
-----MR. TURNER (Leigh/UK)
2015-BROOKLYN (John Crowley/Ireland)
-----EMBRACE OF THE SERPENT (Guerra/Colombia)
-----45 YEARS (Haigh/UK)
-----HEART OF A DOG (Anderson/USA)
-----SON OF SAUL (Nemes/Poland)
2016-THE DEATH OF LOUIS XIV (Serra/Spain)
-----PATERSON (Jarmusch/USA)
2017- THE BIG SICK (Showalter/USA)
-----MUDBOUND (Rees/USA)
2018-A BREAD FACTORY (Wang/USA)
-----THE OTHER SIDE OF THE WIND (Welles/Kodar/USA)
----- ZAMA (Martel/Argentina)