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New Directors/New Films and Film Comment Selects 2013
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Awesome. Looking forward to your words. I'm almost settled in Toronto...soon I'll be rockin' and rollin'....
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I am looking forward to them too. Did you get to see THE MASTER in 70mm?
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I sure did. (early January). Glorious screening. It only had one trailer, ON THE ROAD, for which the Bell Lightbox dramatically opened the red curtains for and then closed them afterwards...fancy shmantzy...for a weak screen adaptation of a literary classic. ON THE ROAD would deserve such a treatment IF it wasn't made into a movie about idiots ACTING OUT, not being a free spirit.....EPIC FAIL.
I can't look at Kristen Stewart without thinking "SKANK".
She blew it.
Literally.
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Glad you saw the 70mm THE MASTER screening. Did you see ON THE ROAD? I know it's not reportedly a success and I don't contest that, but I'm sorry I inadvertently missed its very brief exposure locally here. Mike D'Angelo reported at Cannes that Sam Riley was useless but Garrett Hedlund makes a star breakthrough, and I wanted to see that, and the impersonations of Beat personalities who matter to me, esp. Viggo's of Bill Burroughs. Here's D'Angelo's AV Club Cannes review:
Quote:
Jack Kerouac’s novel spent decades in development hell, widely considered unfilmable…and it was, frankly, if by “unfilmable” one means that its essential nature just doesn’t translate to another medium. But unfilmable doesn’t necessarily imply unwatchable, and this is pretty painless as prestige-lit adaptations go, moving along at a brisk clip and providing numerous opportunities for talented actors to perform what amount to cameo impersonations. Viggo Mortensen reproduces the stentorian speech patterns of William S. Burroughs; Tom Sturridge is credibly anxious and Ginsberg-y; Mad Men’s Elisabeth Moss steps back a decade to agitate as Helen Hinkle. And Garrett Hedlund, who’s seemed on the cusp of stardom for years, finally makes a major impression, capturing Dean Moriarty’s/Neal Cassady’s magnetic narcissism as well as occasional moment of sad self-awareness. All that’s missing is any sense that you’re seeing something more than a procession of anecdotes meant to provide a colorless protagonist (Sam Riley) with material for his book. In other words, all that’s missing is Kerouac’s voice—the reason the book is worth reading. Grade: C+
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New Directors/New Films 2013 slate (features).
Friday, Feb. 22, 2013: the slate was announced today. Here it is, with their blurbs. The Film Society of Lincoln Center and MoMA sponsor this event. Further information is on the FSLC page for it here and here.
http://img819.imageshack.us/img819/9282/bluecaprice.jpg
Blue Caprice
The 42nd New Directors/New Films features selections include:
OPENING NIGHT SELECTION
BLUE CAPRICE (2012) 92min
Director: Alexandre Moors
Country: USA
Alexandre Moors’s remarkable debut feature explores the impulse to commit murder, following two snipers, the elder John and 17-year old Lee, who orchestrate an insidious act of gun violence that is seemingly torn from the front pages. Abandoned by his mother, Lee is taken in by John, who becomes a mentor preaching hate and teaching marksmanship. Blind loyalty grows, and death becomes mundane. Masterfully performed by Isaiah Washington and Tequan Richmond, the characters are disturbingly human. Moors and screenwriter R.F.I. Porto navigate the violence discreetly, focusing on the inner origins of evil. An essential film for our times.
CLOSING NIGHT SELECTION
OUR NIXON (2013) 85min
Director: Penny Lane
Country: USA
As President Richard Nixon tape-recorded his conversations for posterity, so his devoted aides—H.R. Haldeman, John Ehrlichman, and Dwight Chapin—shot hundreds of rolls of Super-8 film documenting the presidency. Filmmakers Penny Lane (DIR/Co-SCR/Co-PROD) and Brian L. Frye (Co-SCR/Co-PROD) have edited this footage—virtually unseen since the FBI seized it during the Watergate investigation—and interwoven it with period news footage and pop culture, excerpts from the Nixon tapes, and contemporary interviews. OUR NIXON offers an unprecedented, insider’s view of an American presidency, chronicling watershed events including the Apollo moon landing and the path-breaking trip to China, as well as more intimate glimpses of Nixon in times of glory and disgrace.
THE ACT OF KILLING (2012) 116min – theatrical cut, 158min – director’s cut
Director: Joshua Oppenheimer
Country: Denmark
What is one to make of the men who freely admit their involvement—and pleasure—in the mass killing of millions of Indonesians during that country’s bloody anti-Communist campaign in the 1960s? American filmmaker Joshua Oppenheimer’s THE ACT OF KILLING bypasses the usual documentary tropes of exposing injustice, instead provoking the viewer to consider the murderers’ sense of responsibility for their crimes. Teetering between sheer horror and grotesque comedy, this is a glimpse into the heart of darkness that’s rarely been achieved in cinema. Both the theatrical version and the longer, director’s cut of the film will be screened at ND/NF. A Drafthouse Films release.
ANTON’S RIGHT HERE (Anton tut ryadom) (2012) 120min
Director: Lyubov Arkus
Country: Russia
Critic-turned-filmmaker Lyubov Arkus finds herself becoming the key caregiver for severely autistic teen Anton Kharitonov and documents over six years, in a reflective and fascinating style, the tremendous obstacles and problems of encouraging and supporting a sensitive but barely communicative boy. What sets Arkus’s work apart from so many other documentaries addressing autism is her majestically artful filmmaking (with a huge contribution by cinematographer Alisher Khamidkhodzhaev), her exceptionally close relationship to her subject, and her powerful voice-over commentary, one of the most sublime to be heard in recent cinema.
BURN IT UP DJASSA (Le djassa a pris feu) (2012) 70min
Director: Lonesome Solo
Countries: Ivory Coast/France
Brimming with the fateful energy of the ghetto, this cinema-vérité-shot, noir-tinged drama was shot in 11 days and created collectively by its streetwise protagonists eager to give voice to their present situation. Tony (Abdoul Karim Konate) is stuck in a rut and desperate to get out of the ghetto; the cocky youth hangs out gambling and hawking cigarettes until bad luck pushes him into an irrevocable dead-end situation. Narrated by a storyteller in Nouchi slang and set to slam poetry this vibrant snap-shot will have you cheering for cosmic justice.
LES COQUILLETTES (2012) 75min
Director: Sophie Letourneur
Country: France
Girls gone wild! Filmmaker Sophie brings her film and friends Carole and Camille to the Locarno Film Festival. The festival is a merry-go-round of parties, and these girls are boy crazy—when Sophie’s not stalking Louis Garrel, ineffectual attempts to hook up with unimpressed guys and emotional meltdowns ensue. Sophie Letourneur’s comedy of arrested development is a delightfully giddy, screwball lark, a self-mocking, thirty-something French counterpart to Lena Dunham’s Girls. Are Letourneur, Camille Genaud, and Carole Le Page playing themselves? Espérons que non!
THE COLOR OF THE CHAMELEON (Tsvetat na hameleona) (2012) 114min
Director: Emil Christov
Country: Bulgaria
Unfolding in the years before and after the fall of Communism, this black comedy
about a rogue secret police informant goes down a rabbit hole into a realm of twisted absurdity. The scenario by Vladislav Todorov, adapting his 2010 novel Zincograph, centers on young misfit Batko Stamenov, who’s recruited to infiltrate…a book club. After being dropped for his strange ideas, Batko embarks on his own private investigation and targets the intellectuals of the “Club for New Thinking,” hatching a scheme that fully exposes the ludicrous reality of secret policing. With its first film at ND/NF in thirty-five years, Bulgaria is back!
DIE WELT (2012) 80min
Director: Alex Pitstra
Country: Netherlands
In his smart debut feature, director Alex Pitstra announces himself as a neo-Tarantino, employing an arsenal of cinematic techniques to explore a life he imagines he could have lived. The director sets his story in post–Jasmine Revolution Tunisia, where young Abdallah (Abdelhamid Naouara), Pitstra’s stand-in and a Tarantino-esque, head-strong twenty-something, dreams of leaving the video store where he works for Europe. Based loosely on his father’s story of coming to Holland, Pitstra's semi-autobiographical voyage is set against the backdrop of a contemporary yet traditional Tunisia trying to find a way forward.
EMPEROR VISITS THE HELL (Tang huang You Di Fu) (2013) 71min
Directors: Li Luo
Countries: China/Canada
Winner of the Dragons & Tigers Award for Young Cinema at the Vancouver Film Festival, Li’s crafty reworking of part of the 16th-century Chinese novel Journey to the West is one of the most inspired recent works from an independent Chinese filmmaker. Emperor Li Shimin is now a bureaucratic boss in a big city, where the crooked Dragon King’s attempt to change the weather has backfired and condemned him to death. Li pulls the rug out from under everyone, from the audience to those whose power has gone to their heads.
A HIJACKING (Kapringen) (2012) 99min
Director: Tobias Lindholm
Country: Denmark
On its way to harbor, cargo ship MV Rozen is seized by pirates in the Indian Ocean. Moving between claustrophobic life on the ship and negotiations by the freight company in Denmark, Lindholm creates a climate of unbearable tension with an unexpected climax. The narrative is based on a true event, and his use of actual locations and people who have been in similar situations create palpable authenticity. Augmented by a terrific cast, Lindholm explores the danger of the disparity between impoverished nations and the developed world. A Magnolia Films release.
JARDS (2012) 93min
Director: Eryk Rocha
Country: Brazil
The celebrated composer and musician Jards Macalé is in the recording studio where director Eryk Rocha captures him in a wide variety of poses and states of creating, imaginatively varying style and shooting formats. Fashioning an intimately attuned portrait of an artist, Rocha uses his camera as an instrument to riff with Jards in a poetic exchange between images and music. The repetitive, time-stopping process of rehearsal and the flow of energy between the two art forms create an elegiac vision of the creativity of some of Brazil’s most beloved singers and musicians.
JISEUL (2012) 109min
Director: O Muel
Country: South Korea
As part of a brutal anticommunist purge of the island of Jiju in 1948, Korean troops hunt down the inhabitants of a village caught in the crossfire. The villagers hide out in a mountain cavern, enduring an extended ordeal of cold and hunger, 120 souls crammed together below ground like the potatoes alluded to in the film’s title. Recounting a forgotten chapter in postwar Korean history, Jiju native O Muel draws out amazing performances from his nonprofessional cast, in an austere, beautifully composed, and deliberately paced requiem.
KÜF (2012) 94min
Director: Ali Aydin
Countries: Turkey/Germany
A railroad inspector spends his days in the gorgeous Anatolian outback looking for cracks on the line and his evenings writing letters to the government looking for news about his son who disappeared 18 years ago. Basri (Ercan Kesal) fights bureaucracy and secrecy in the person of police inspector Murat (Muhammet Uzuner) and the spellbinding character study, with shades of Raskolnikov, is completed by a third man, Cemil, whose anti-social behavior begs confrontation. As tension mounts Aydin shows his considerable talent bringing this poignant tale to its heartbreaking finale. Winner of the Lion of the Future Award at the Venice Film Festival 2012.
LEONES (2012) 80min
Director: Jazmin Lopez
Countries: Argentina/France/Netherlands
Is this a story about five friends wandering through a forest, or is it about a forest that receives five visitors? In this metaphysical trance film, the verdant environment is as much a character as the youngsters, enfolding them as they move through it, their playful banter, word games, and ruminations filling the air. In a succession of long takes, a gliding camera follows this enigmatic hike to nowhere. Nothing is what it seems, but a malfunctioning tape recording may contain an explanation.
L’INTERVALLO (2012) 86min
Director: Leonardo Di Costanzo
Country: Italy
Winner of the Critics’ Prize at the 2012 Venice Film Festival, this portrait of two adolescents thrown together under the eye of the Neapolitan Camorra has an air of menace and sexual tension. A shy ice-cream vendor (Alessio Gallo) guards a feisty girl (Francesca Riso) who has allegedly wronged a local gangster. Holed up in an abandoned building, they warily share dreams of escaping their fate. Director Di Costanzo brings documentary realism and a poetic eye to this quietly intense drama; his nonprofessional actors give beautifully shaded performances in Neapolitan dialect.
PEOPLE’S PARK (2012) 78min
Directors: Libbie D. Cohn & J.P. Sniadecki
Country: USA/China
An immersive, inquisitive visit to the People’s Park in Chengdu, China, this film was created in a single virtuoso tracking shot. The joys of communal play, exercise, and leisure time come under intense scrutiny from the relentless gaze of the directors' lens, creating alternate states of unease and exhilaration.
RENGAINE (2012) 75min
Director: Rachid Djaïdani
Country: France
The French title of this no-budget urban drama translates as “refrain,” and repetition is what it embodies—in this case the well-worn story of Romeo and Juliet. Sabrina (Sabrina Hamida) accepts the marriage proposal of struggling actor Dorcy (Stéphane Soo Mongo), but Dorcy is a black Christian and Sabrina a Muslim Arab. Her eldest brother, Slimane (Slimane Dazi), enlists the 39 “brothers” in their extended clan to prevent the taboo union. Shot in the streets, this film is part love letter to the irresistible energy of Paris, part call for interracial tolerance.
THE SHINE OF DAY (Der Glanz des Tages) (2012) 90min
Directors: Tizza Covi & Rainer Frimmel
Country: Austria
Tizza Covi and Rainer Frimmel have amply demonstrated, with their previous semi-fictional, semi-documentary films, a generous perspective on people struggling at the fringes of showbiz—namely, the circus. In their latest film, vagabond performer Walter Saabel embraces what he calls “Der Glanz des Tages” (the shine of day) as a personal North Star. His nephew, the great theater actor Philipp Hochmair, finds Walter arriving at his Hamburg home unannounced, and the two begin a fascinating, testy, and wholly unpredictable relationship.
SOLDATE JEANNETTE (2012) 79min
Director: Daniel Hoesl
Country: Austria
Fanni buys clothes from an upscale boutique and lives in a beautifully appointed apartment. But something—well, everything—seems askew in her world, and she leaves town when her games with commerce are discovered. Hiking through the mountains, she encounters Anna, a young woman who has spent her life on a pig farm. Their worlds could collide—or they could help each other find brave new ones. In his first feature, director Daniel Hoesl fashions an absurdist morality play that pits an urban, manufactured world against nature.
STORIES WE TELL (2012) 108min
Director: Sarah Polley
Country: Canada
What is real? What is true? What do we remember, and how do we remember it? Actor/director Sarah Polley turns from fiction to nonfiction, in the process cracking open family secrets. Using home movies, still photographs, and interviews, Polley delves into the life of her mother, a creative yet secretive woman. But while she is talking to her own relatives, Polley’s interest lies in the bigger picture of what families hold onto as truth. STORIES WE TELL is a delicately crafted personal essay about memory, loss, and understanding. A Roadside Attractions release.
THEY’LL COME BACK (2012) 105min
Director: Marcelo Lordello
Country: Brazil
In this gentle, understated drama, an upper-middle-class 12-year-old learns how Brazil’s other half lives when she and her sullen older brother are left behind by their parents in a rural backwater. Soon, Cris (ably played by Maria Luiza Tavares, who carries the film from beginning to end) is taken in by a family living in a squatter farming community, where she waits for mom and pop to return. And waits and waits. Another fine debut from the Recife film scene, source of last year’s ND/NF hit NEIGHBORING SOUNDS.
TOWER (2012) 78min
Director: Kazik Radwanski
Country: Canada
For his feature debut, Kazik Radwanski has opted to train his camera with great intensity and control on a character who utterly lacks a center or direction, even an identity. In his mid-thirties yet still living at home with his parents, Derek (Derek Bogart) struggles to make a small animation about a green creature building rock towers. He can’t maintain any real friendships, let alone romantic involvements, until he encounters Nicole (Nicole Fairbaim), who offers a glint of promise. Radwanski‘s single-minded vision suggests filmmaking of uncommon discipline combined with unmistakable empathy.
TOWHEADS (2013) 86min
Director: Shannon Plumb
Country: USA
The Brooklyn mother of two boys and the wife of a harried theater director, Penelope barely has time to stay sane, much less create art. She finds comic relief from domestic drudgery by inhabiting the world in guises—drag king, pole dancer, Santa Claus—managing to find moments of grace even on thankless days. Accomplished video and performance artist Shannon Plumb makes a wincingly funny feature debut that strikes awfully close to home. The writer-director stars opposite her real-life husband (Derek Cianfrance, director of BLUE VALENTINE) and her talented, towheaded sons (Cody and Walker Cianfrance).
UPSTREAM COLOR (2012) 96min
Director: Shane Carruth
Country: USA
Ever since his 2004 debut, filmmaker Shane Carruth has prompted curiosity over what he’d come up with next. UPSTREAM COLOR meets expectations but is also starkly different and markedly advanced. It represents something new in American cinema, exploring life’s surprising jumps and science’s strange effects. A love story embedded in a kidnap plot, UPSTREAM COLOR leaps with great audacity through its sequences, a cinematic simulacrum of the way we reflect on our lives, astonished at, as in the title of Grace Paley’s fiction collection, our Enormous Changes at the Last Minute. UPSTREAM COLOR opens in NY on April 5.
VIOLA (2013) 63min
Directors: Matías Piñeiro
Country: Argentina
Matías Piñeiro is one of contemporary Argentine cinema’s most sensuous and sophisticated new voices. In his latest film, VIOLA, he ingeniously fashions out of Shakepeare’s Twelfth Night a seductive roundelay among young actors and lovers in present-day Buenos Aires. Mixing melodrama with sentimental comedy, philosophical conundrum with matters of the heart, VIOLA bears all the signature traits of a Piñeiro film: serpentine camera movements and slippages of language, an elliptical narrative and a playful confusion of reality and artifice. A Cinema Guild release.
Combining animation, special effects, and live action, this silent film asks: will a writer who searches for inspiration find it in help or hindrance?
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Here is the FSLC publicity intro for ND/NF 2013:
New Directors/New Films
“Blue Caprice” to Open 42nd ND/NF, Full Lineup Announced
Alexandre Moors's Blue Caprice will open the 42nd New Directors/New Films series co-hosted by the Film Society of Lincoln Center and the Museum of Modern Art (MoMA). A favorite at the recent Sundance Film Festival, the film is a fictionalized account of the infamous Beltway snipers John Allen Muhammad and 17-year-old Lee Boyd Malvo.
Twenty-five features will screen over 12 days during the series, taking place March 20 - 31, including eight North American and four U.S. premieres. The annual showcase of emerging artists includes features from North and South America, Europe, Africa and Asia. Additionally, shorts from around the world will screen in three shorts programs and as openers for select features.
In addition to previously-announced new films from rising directors like Sarah Polley (Stories We Tell) and Shane Carruth (Upstream Color), this year's line-up boasts a host of award-winning works from filmmakers who are likely new to New York audiences. Daniel Hoesl's absurdist tale of urbanity versus nature, Soldate Jeannette, won one of three Tiger Awards at the recent International Film Festival Rotterdam. Emperor Visits the Hell, Luo Li's creative reworking of the classic 16th-century Chinese novel Journey to the West, took home the Dragons & Tigers Award for Young Cinema at last year's Vancouver Film Festival. From Turkey, spellbinding character study Küf won director Aly Aydin the Lion of the Future Award at last year's Venice Film Festival.
Penny Lane's Our Nixon will close out this year's ND/NF. The film utilizes hundreds of rolls of Super 8 film shot by Nixon's aides, which remained virtually unseen for 40 years after it was seized by the FBI during the Watergate investegation, to craft an unprecedented portrait of an American president.
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And here is ND/NF '13's list of accompanying shorts:
Shorts Program 1
Chiralia by Santiago Gil, 2013, Germany
A boy’s disappearance at a wooded lake leads to a questioning of memory and perception. (New York Premiere)
The Village (A Cidade) by Liliana Sulzbach, 2012. Brazil
A small village’s inhabitants are all elderly, and no one new is moving in. New York Premiere!
To Put Together a Helicopter (Para armar un helicóptero) by Izabel Acevedo, 2012. Mexico
When summer rains bring power outages to his neighborhood, 17-year-old Oliverio comes up with an ingenious solution. (North American Premiere)
Shorts Program 2
Wonderland by Peter Kerek, 2012. Romania
As a mother seeks to improve life for her family, her son explores the cavernous rooms of a stranger’s house—perhaps costing the two of them a better future.
Southwest by Jordi Wijnalda, 2013, USA/Turkey
In southwest Turkey, a Dutch woman helps save the lives of illegal immigrants but is forced to confront the unattended needs of those who love her. (World Premiere)
What Can I Wish You Before the Fight? (Que puis-je te souhaiter avant le combat?) by Sofia Babluani, 2012, France
A touching story about a case of mistaken identity and communication that transcends barriers. (US Premiere)
Everything Near Becomes Far by Mauricio Arango, 2011, USA/Colombia
The peaceful daily rhythm of a farmer is violently interrupted in the heart of the breathtakingly beautiful Andean mountains. (US Premiere)
Stampede by Cyril Amon Schäublin, 2012. Germany
A masterful short that articulates the moment when a city and its crowds create chaos and claustrophobia.
http://img823.imageshack.us/img823/4481/piratelove.jpg
Pirate of Love
Shorts Program 3
Taboulé by Richard Garcia, 2011. Spain
How can you measure trust? A story about secret codes. (New York Premiere)
The Pirate of Love by Sara Gunnarsdottir, 2012, Iceland/USA
A filmmaker chases the legends surrounding a CD of popular Reykjavik love songs, supposedly written by a lovelorn trucker in Canada. (New York Premiere)
Flamingos (I Fenicotteri) by Francesca Coppola, 2012, Italy
Father and daughter share a sentimental moment, but trouble boils under the surface. (North American Premiere)
Sequin Raze by Sarah Gertrude Shapiro, 2013, USA
A reality-show contestant tries to protect herself from the psychological onslaught of one of the producers.
Ararat by Engin Kundag, 2012, Germany
A man tries to keep the peace in his brother’s home after a ten-year absence.
Take a Deep Breath (Derin Nefes Al) by Basak Buyukcelen, 2012, Turkey
When a teenager’s parents take her to see a gynecologist, her life takes an unexpected turn.
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Mon., Feb. 25, 2013: the Film Society of Lincoln Center and MoMA today announced the New Directors/New Films press & industry screening schedule. I hope to attend these screenings if possible and report on the films.
NEW DIRECTORS/NEW FILMS 2013 PRESS & INDUSTRY SCREENING SCHEDULE
MONDAY, MARCH 4
9:00AM
BLUE CAPRICE (92m), FSLC
10:45AM
EMPEROR VISITS THE HELL (70m), FSLC
12:30PM
THE COLOR OF THE CHAMELEON (114m), FSLC
TUESDAY, MARCH 5
9:00AM
KUF (94m), FSLC
10:45AM
TOWER (78m), FSLC
12:30PM
A HIJACKING (99m), FSLC
WEDNESDAY, MARCH 6
9:00AM
BURN IT UP DJASSA (70m), FSLC
10:20AM
RENGAINE (75m), FSLC
12:00PM
SHORTS PROGRAM #1 (85m), FSLC
THURSDAY, MARCH 7
9:00AM
THE SHINE OF THE DAY (90m), FSLC
10:45AM
THE ACT OF KILLING (115m), FSLC
1:00PM
SOLDATE JEANNETTE (79m), FSLC
FRIDAY, MARCH 8
9:00AM
LES COQUILLETTES (75m), FSLC
10:30AM
JISEUL (108m), FSLC
12:45PM
LEONES (80m)
FSLC REMINDER: ALL SCREENINGS MOVING FORWARD WILL TAKE
PLACE AT THE MUSEUM OF MODERN ART:
MONDAY, MARCH 11
9:00AM
THEY’LL COME BACK (105m), MOMA
11:00AM
DIE WELT (80m), MOMA
12:45PM
THE SEARCH FOR INSPIRATION GONE (9m) + VIOLA (63m), MOMA
TUESDAY, MARCH 12
9:00AM
RP31 (5m) + TOWHEADS (86m), MOMA
10:45AM
PEOPLE’S PARK (78m), MOMA
12:30PM
ANTON’s RIGHT HERE (120m), MOMA
3:00PM
SHORTS PROGRAM #2 (83m), MOMA
WEDNESDAY, MARCH 13
9:00AM
UPSTREAM COLOR (96m), MOMA
11:00AM
STORIES WE TELL (108m), MOMA
1:15PM
L’INTERVALLO (80m), MOMA
THURSDAY, MARCH 14
9:00AM
JARDS (93m), MOMA
10:45AM
SHORTS PROGRAM #3 (86m), MOMA
12:45PM
OUR NIXON (85m)MOMA
MEDIA CONTACTS:
Film Society of Lincoln Center
John Wildman, jwildman@filmlinc.com, 212/875-5419
David Ninh, dninh@filmlinc.com, 212/875-5423
The Museum of Modern Art
Meg Montgoris, meg_montgoris@moma.org, 212/708-9757
ONLINE PRESS OFFICE:
Press materials including high-res images and press releases are available for download at
www.filmlinc.com/press and MoMA.org/press
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Above is the press & industry screening schedule for New Directors, which was sent out today (Man., Feb. 25, 2013). I hope to get to these if my energies hold up. The schedule has been too hard for me to see any Film Comment Selects films this year.
As mentioned earlier, I would like to have seen Antonio Campos (afterschool SIMON KILLER, Ben Wheatley's SIGHTSEERS, Marco Bellocchio's DORMANT BEAUTY, and the miniseries one by Kiyoshi Kurosawa.
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Quote:
Originally Posted by
Chris Knipp
I hope to get to these if my energies hold up.
Vitamin C.
Make sure you get 100% of your daily intake.
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Oh yes. I'm doing what I can. So far so good.
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ND/NF screenings have begun. No more French movies, most of them pretty mainstream. Edgy stuff from all over now.
NEW DIRECTORS/NEW FILMS OPENING NIGHT FILM:
Alexandre Moors: BLUE CAPRICE (2013)
More of a psychological study than a thriller, French-born director Moors' film, written by collaborator R.F. Porto, chooses to investigate the lives of the older man and the teenager he'd adopted in the period leading up to the 2002 Beltway sniper attacks and this crabwise approach to traditional thriller material is arresting and disturbing. Superb performances by Isaiah Washington and Tequan Richmond as John Allen Muhammad and Lee Malvo, handsome images by dp Brian O'Carroll, first feature for Moors and first feature screenplay for Porto.
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Li Luo: Emperor Visits the Hell (2012)
A modern-day reenactment, shall we say? Of a few chapters from the famous and much-cinema-adapted old Chinese tales of Monkey or Journey to the West. This is, frankly, one of those occasional mainland Chinese ultra-indie films it seems to me a huge stretch to justify considering as ready for an international audience. Li presents a world dominated by small-tim gangsters, corporate stiffs, and petty bureaucrats -- a satirical version of contemporary China. Or just a realistic one? But in the context of the ancient stories, these characters merely seem like odd stand-ins.
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Emil Christov: THE COLOR OF THE CHAMELEON (2012)
A droll and complicated life story of a state security agent recruited in the latter days of the Soviet empire in which the unnecessary and the parodic and the self-serving are all but indistinguishable. A beautiful an diverting film adapted from Todorov, from his satirical novel Zincograph, which he might have trimmed a bit more ruthlessly to better effect. The first Bulgarian film included in New Directors/New Films in 35 years.
