PDA

View Full Version : Tom Luddy 1943-2023



Chris Knipp
02-14-2023, 12:54 PM
Tom Luddy, co-founder of the Telluride Festival

http://www.chrisknipp.com/images/UDY.jpg

I remember him from the F.W. Murnau Film Society at Berkeley in the 70's - even then he was a force for film who amazed with his quiet passion and profound knowledge - then, later, as program director of the Pacific Film Archive. While there, he co=founded Tellurde. The rest is history.


[press release from Telluride]

February 14, 2023

It is with deep sorrow the Telluride Film Festival announces the passing of its founder and inspiration, Tom Luddy. Tom died peacefully on February 13, 2023, in Berkeley, California after a long illness.

Tom was a force in the film industry for nearly six decades. He had a life-long love and passion for film, and a tireless dedication to film restoration, distribution, and exhibition. His presence will be profoundly missed by the many people whose lives were touched by his kindness, artistry, and his innate ability to bring people together to make something beautiful.

"The world has lost a rare ingredient that we’ll all be searching for, for some time,” reflects Julie Huntsinger, Telluride Film Festival Executive Director. “I would sometimes find myself feeling sad for those who didn’t get to know Tom Luddy properly. He had a sphinxlike quality that took a little time to get around, for some. But once you knew him, you were welcomed into a kingdom of art, history, intelligence, humor, and joie de vivre that you knew you couldn’t be without. He made life richer. Magical. He called Telluride a labor of love for a very long time. We’re so much better off because of him and that labor. We at the Festival owe it to him to carry on his legacy; his commitment to and love for cinema, above all.”

Born June 4, 1943, in New York City, Tom began his career in film as a student at UC Berkeley (1962-1965) where he was the program director of several student film societies including the F.W. Murnau Film Society, the Slate Film Society, and the Student Union Film Series. In 1964 he worked as the assistant to Ed Landberg at the Berkeley Cinema Guild, Repertory Cinema.

Upon graduating, Luddy was hired at Brandon Films in New York as its director of national distribution from 1966 – 1967 where he worked with Pier Paolo Pasolini on the US release of ACCATONE and with Alain Resnais on the US release of LA GUERRE EST FINI. He then made the move to the Telegraph Repertory Cinema in Berkeley as its program director (1967 – 1969) while also assisting artistic director Albert Johnson at the San Francisco International Film Festival (l967 – 1973). In 1968 Luddy curated a complete (to date) retrospective of the films of Jean-Luc Godard for the Pacific Film Archive, and in 1969 he organized two US college tours for the university art museum in Berkeley with Jean-Luc Godard and Jean-Pierre Gorin for the Dziga Vertov Group. From 1970 – 1972 Luddy, along with Mel Novikoff, was program director for Surf Interplayers Cinema in San Francisco. In 1972 he joined the Pacific Film Archive in Berkeley as its program director and curator of film until 1979.

Together with Bill and Stella Pence and James Card, Tom co-founded the Telluride Film Festival in l974. Their vision, which began in a small opera house theatre, has evolved over the past fifty years into one of the most revered film festivals in the world. Luddy had remained with the Festival as co-director, then artistic director and advisor until the end of 2022.

Luddy was the American jury member at the 46th Cannes Film Festival under jury chairman Louis Malle. He also served on the juries of the 11th Moscow Film Festival, the 38th Berlin Film Festival and several others including the Cartegena, Mexico City, Morelia, Tehran, and San Paolo Film Festivals. Luddy served as a member of the five-person selection committee for the New York Film Festival (l979 – 1982) as well as West Coast programming consultant in 1978, 1983 – 1984. He served as the associate director for the San Francisco International Film Festival from 1980 – 1983, was a multiyear member and president of the board of directors under chairman George Gund and continued as a member of its advisory board from 1980 through 2022. Luddy also served over a decade as both program curator for the Documentary Film Institute at San Francisco State University beginning in 2005 and as an official consultant to the Berlin Film Festival beginning in 2007.

Tom Luddy was associated with American Zoetrope as an executive and/or film producer since l979. As Zoetrope’s Director of Special Projects, he was instrumental in Zoetrope’s support for Akira Kurosawa’s KAGEMUSHA (l980), co-executive produced by Francis Coppola and George Lucas. He developed and supervised the presentation across America of Hans-Jurgen Syberberg’s seven-hour OUR HITLER--A FILM FROM GERMANY in l980, as well as the l98l-82 worldwide revival of Abel Gance’s l927 masterpiece NAPOLEON. Luddy coordinated two collaborations with Jean-Luc Godard: EVERYMAN FOR HIMSELF (l980) and PASSION (l982), as well as Zoetrope’s sponsorship of Godfrey Reggio’s KOYAANISQATSI (l983), and the theatrical release of Fielder Cook’s TOO FAR TO GO (1983).

As an executive at Zoetrope in the early 80s, Luddy arranged and obtained the US Distribution rights for ten years to three Chinese classic films: THE SPRING RIVER FLOWS EAST, CROSSROADS, and STREET ANGEL. In 1982 he acquired and distributed Kidlat Tahimik’s THE PERFUMED NIGHTMARE.

In l985 Luddy produced, with Mata Yamamoto, the remarkable film MISHIMA: A LIFE IN FOUR CHAPTERS, directed by Paul Schrader, featuring sets by Eiko Ishioka and Music by Phillip Glass. He also served as executive producer on TOUGH GUYS DON’T DANCE (l987), written and directed by Norman Mailer. Together with Fred Roos and Barbet Schroeder, he produced BARFLY (l987) directed by Barbet Schroeder from an original screenplay by Charles Bukowski starring Mickey Rourke and Faye Dunaway. He served as associate producer on Jean-Luc Godard’s KING LEAR (l987), and on Godfrey Reggio’s POWAQQATSI (1988). In l988, he served as executive producer on Dusan Makavejev’s MANIFESTO. Together with Fred Roos and Erwin Provoost, he produced the John Fante adaptation WAIT UNTIL SPRING, BANDINI (l989), directed by Dominique Deruddere and starring Joe Mantegna, Faye Dunaway, and Ornella Muti.

In l992, Tom Luddy reunited with Japanese producer Mata Yamamoto to produce WIND for Zoetrope & Filmlink International, directed by Carroll Ballard, starring Matthew Modine, Jennifer Grey, Stellan Skarsgaard, Jack Thompson, Cliff Robertson, and Rebecca Miller. In l993, together with Fred Roos and Fred Fuchs, he produced Agnieszka Holland’s THE SECRET GARDEN. In l995, he served as Zoetrope’s executive producer on Gregory Nava’s MI FAMILIA/MY FAMILY, starring Jimmy Smits, Esai Morales Edward James Olmos, and Jennifer Lopez.

Tom is survived by his wife Monique Montgomery, his siblings Brian Luddy, James Luddy , Jeanne Van Duzer, nephews Stevens and Will Van Duzer, and nieces Dierdre Pino, Megan Archer and Caroline Van Duzer

Funeral service information to be announced at a later date. Donations in Luddy’s memory may be made to Telluride Film Festival’s General Support Fund or the National Film Preserve’s Nugget Project.

From:
Shannon Goodwin Mitchell
SVP, Public Relations, Telluride
See also: The Hollywood Reporter (https://www.hollywoodreporter.com/movies/movie-news/tom-luddy-dead-telluride-film-festival-1235325348/)

Chris Knipp
02-21-2023, 11:15 AM
An appreciation of Tom Luddy from the GUARDIAN newspaper (Feb. 21, 2023)

Headline:

I’m a film-maker because of him’: Herzog, Swinton, Rushdie and more on Tom Luddy, cinema’s quiet titan
Friends and film-makers including Errol Morris, Laurie Anderson and Adam Curtis on the brilliance of Telluride’s Tom Luddy, who has died aged 79.
Here's the Link (https://www.theguardian.com/film/2023/feb/21/herzog-swinton-rushdie-cinema-tom-luddy-telluride).

This extensive piece assembled by Catherine Shoard includes testimonials from Earl Morris ("Quite simply, I'm a film-maker because of him"), Paul Schrader (‘He was the beating heart of 70s and 80s film culture’), Geoff Dyer (‘He was the least egotistical of men in the most egomaniacal of industries’), Laurie Anderson (‘He was secretly building a vast worldwide network of people and ideas that would never be complete but that was definitely going to make things better’), Mark Cousins, Tilda Swinton (‘Tom occupied and – in many ways coordinated – a kind of magical slipstream’), Salmon Rushdie (‘I used to tell friends: “If you want the Queen’s unlisted cellphone number, ask Tom Luddy.”’), Werner Herzog (‘It is no coincidence that he brought me together with my wife, Lena, 28 years ago’), Peter Webber, Mark Kiddel, Nick James, Alice Waters (‘Tom was always my biggest champion’ ), Barbet Schroeder ("He was a truly extraordinary man on every level’), Greil Marcus (‘He had a science-fiction head – that big cranium that contained future generations of brain’), David Thompson (‘He had a rare, rather cold beauty and in illness he came into a serenity’). . . And more. These are only pull-quotes. There are paragraphs more from each of these speakers, who collectively give one an idea of what a special figure Tom Luddy was in the world of film and far beyond. And with the quotes there are plenty of remarkable photographs of Luddy with an astonishing range of people ranging from last year back to the Seventies.
_________________________


CARLOS SAURA (1932-2023)

See also in this issue of the GUARDIAN: a detailed obituary (https://www.theguardian.com/film/2023/feb/21/carlos-saura-obituary) of Spanish filmmaker Carlos Saura (Carlos Saura Atarés, born Jan. 4, 1932; died Feb. 10, 2023. Saura's international reputation was established with La Caza (The Hunt), which won the Silver Bear for best direction at the 1966 Berlinale.
The 1980s saw Saura move out of the grey misery of the Franco years into musical films in glorious colour. With the dancers Antonio Gades and Cristina Hoyos he made three films fusing with rare intensity classical ballet and flamenco: Bodas de Sangre (Blood Wedding, 1981), an adaptation of the Lorca play; Carmen (1983), after the opera by Bizet, and El Amor Brujo (Love, the Magician, 1986), after the ballet by Manuel de Falla. Several other musical films followed, such as Flamenco (1995) and Tango (1998). In 2010 he made a second Flamenco film Flamenco Flamenco; there is a last film to be released, Bach.
IMDb entry for Carlos Saura (https://www.imdb.com/name/nm0767022/)