tabuno
07-04-2013, 03:56 PM
This is no television version of The Lone Ranger and as a result it while gorgeous to look at and the wonderful humor from Johnny Depp came out in bundles, it was the raw, harsh violence that seemed to throw the movie’s tone off balance through out the movie. Perhaps Depp was miscast for this movie, using the Pirates of the Caribbean (2003) motif too well for a movie that wasn’t Pirates of the Caribbean. Or perhaps it was the rest of the script of The Lone Ranger that let Depp down and instead of writing the movie around Depp in the role of Tonto which he excelled, it was if the rest of this dark dramatic Western with attempts a glib humor couldn’t hold up to him.
While the storyline was decent with its expected, usually predictable twists, there were those technical or logical weaknesses, like the unusual lengthy pause in the ambush when the last Ranger was shot that didn’t seem natural nor the unusual rapidity with which the bad guys showed up afterward or later when the Lone Ranger’s teeth seemed more suited for a Superman’s character than a Western city prosecutor. The flashback storybook technique in The Longer Ranger while again decent enough wasn’t as smooth and stylish as even that in The Princess Bride (1987).
The Lone Ranger presents a rather unique set of theatrical dilemmas in this day and age of super-heroes with their super powers and in this version of The Lone Ranger, it was difficult to distinguish between city slicker suddenly becoming a gun-slinging Ranger or some Native American mystical occurrence. And the serious and substantive dramatic moral issues with respect to Indians presented later in the movie that resembled and more effectively presented in Dances with Wolves (1990) wasn’t quite the smoothly blended topic incorporated into The Lone Ranger with its more wry humor and hero nature of the movie. Keanu Reeves and Sandra Bullock played off which over well in the action thriller Speed (1994) or even Sylvester Stallone and again Sandra Bullock meshed both lighter drama, action, humor in the balanced toned The Demolition Man (1993). Perhaps Pierce Brosnan as an aging assassin was also given a balanced dramatic, comedy, thriller role in The Matador (2005) or John Malkovich was given a script that excelled at the balance between comedy and serious biting drama in as a eccentric Magician in The Great Howard Buck (2008). Even the cult classic Pulp Fiction (1994) dwelt with its dramatic violence in a way that didn’t intrude on the more humorous lightness in the movie. Somehow the lightness and the darkness the create a wonderful composite of color in Robert Downey’s version of Sherlock Holmes (2008) while there is a persistent dissonance with Johnny Depp’s Tonto and his surrounding environment, events, and characters.
As for the legend, fairy tale nature of this Western movie, This version of The Lone Ranger seemed out of place and somewhat lost in the rocky formations of southern Utah.
While the storyline was decent with its expected, usually predictable twists, there were those technical or logical weaknesses, like the unusual lengthy pause in the ambush when the last Ranger was shot that didn’t seem natural nor the unusual rapidity with which the bad guys showed up afterward or later when the Lone Ranger’s teeth seemed more suited for a Superman’s character than a Western city prosecutor. The flashback storybook technique in The Longer Ranger while again decent enough wasn’t as smooth and stylish as even that in The Princess Bride (1987).
The Lone Ranger presents a rather unique set of theatrical dilemmas in this day and age of super-heroes with their super powers and in this version of The Lone Ranger, it was difficult to distinguish between city slicker suddenly becoming a gun-slinging Ranger or some Native American mystical occurrence. And the serious and substantive dramatic moral issues with respect to Indians presented later in the movie that resembled and more effectively presented in Dances with Wolves (1990) wasn’t quite the smoothly blended topic incorporated into The Lone Ranger with its more wry humor and hero nature of the movie. Keanu Reeves and Sandra Bullock played off which over well in the action thriller Speed (1994) or even Sylvester Stallone and again Sandra Bullock meshed both lighter drama, action, humor in the balanced toned The Demolition Man (1993). Perhaps Pierce Brosnan as an aging assassin was also given a balanced dramatic, comedy, thriller role in The Matador (2005) or John Malkovich was given a script that excelled at the balance between comedy and serious biting drama in as a eccentric Magician in The Great Howard Buck (2008). Even the cult classic Pulp Fiction (1994) dwelt with its dramatic violence in a way that didn’t intrude on the more humorous lightness in the movie. Somehow the lightness and the darkness the create a wonderful composite of color in Robert Downey’s version of Sherlock Holmes (2008) while there is a persistent dissonance with Johnny Depp’s Tonto and his surrounding environment, events, and characters.
As for the legend, fairy tale nature of this Western movie, This version of The Lone Ranger seemed out of place and somewhat lost in the rocky formations of southern Utah.