Johann
03-11-2011, 12:25 PM
part I: THE ARGENTINE
"The opportunities of most people are determined by forces they don't even see"- Che Guevara
Steven Soderbergh won the Palm D'or in 1989 for Sex, Lies, and Videotape, a film that the Cannes Jury praised as showing "a future for cinema".
Almost 20 years into the future (2008) Mr. Soderbergh delivered a Masterwork that proves not only that he has maintained cinematic greatness, but that he shoves it ever forward into the future. This is a film that moved me profoundly.
Soderbergh's 2-part CHE is a brilliant portrait of a major figure in 20th Century history, love him or hate him.
Dr. Ernesto "Che" Guevara was a Marxist, a soldier, a physician, a man of high moral standing and possibly the greatest Revolutionary warrior that ever walked the earth.
Critics of Che Guevara or Fidel Castro or the Cuban Revolutionary war like to paint them as murderers, as radical assassins or bloodthirsty killers. That's being un-informed. That's being ignorant.
Yes Fidel and Che are responsible for quite a few deaths. But as this film shows, no one was killed without a solid reason.
That Revolucion was for LOVE, believe it or not.
The most moving quote to me is from Che, stated in the film in voiceover:
LOVE. A True Revolutionary is guided by great feelings of Love.
Love of humanity, of justice and truth, it is impossible to concieve of an authentic revolutionary without this one quality.
Part One of Soderbergh's Che (The Argentine) was based on "Reminiscences of the Cuban Revolutionary War" by Che himself.
We are taken to Mexico City in 1955, where Che first met Fidel Castro. Fidel proposes Che join them in their fight to take down Batista, even though he's a foreigner. They discuss money, fighters they need, how this has to be a coup "with principles". By the time they leave for Cuba in November '56 (in a leaky boat?!) they have 82 men ready to fight. Only 12 would survive to the end to witness victory.
The film moves through 1957, 1958 and 1959 with brisk editing and nice titles to keep the viewer in context. Very intelligent film that doesn't make the viewer feel dumb.
Most of the main arcs in the story are covered: the full attack on the Uvero Barracks (Sierra Maestra region). The tactics and strategic planning by Che & Fidel (collumns, etc.) The "psychological impact" the revolution was aiming for. Finding food, dressing wounds, carrying comrades who are injured, concern and respect for peasants, all the things that go into a revolution. I was amazed at the detail of the recreations. Soderbergh did an astonishing job with this film. I don't know how he did not win a slew of Oscars. Benicio del Toro IS Che. I got a real sense that Benicio knew Che Guevara's thought patterns. He plays this man with such understated conviction that it's astonishing. Roger Ebert said his performance was "Heroic" and it is. CHE himself would smile a huge smile I think. What a performance. And what a fuckin' MOVIE.
Here in Ottawa we have a statue of Simon Bolivar and as soon as Part I was over I went out for a walk to take a picture of it (around 2am) and came back to watch part II. I'd always walked by the statue and made a note to take a snap, but after watching THE ARGENTINE I felt compelled to take that picture right away. It was pouring rain and the wind was howling but I took the picture anyway. It felt right. Bolivar was a Hero to Che, a man he wanted to emulate. Che wanted Latin America to be free of American influence, not just Cuba.
We learn that while Che was in the Sierra Maestra that he still had a complex, of being a foreigner, fighting for Cuba. Fidel (played by Demian Bichir) says: You trained with us, you came in the boat with us, you fought with us and you were wounded with us. You are as Cuban and Revolutionary as everyone here.
"The opportunities of most people are determined by forces they don't even see"- Che Guevara
Steven Soderbergh won the Palm D'or in 1989 for Sex, Lies, and Videotape, a film that the Cannes Jury praised as showing "a future for cinema".
Almost 20 years into the future (2008) Mr. Soderbergh delivered a Masterwork that proves not only that he has maintained cinematic greatness, but that he shoves it ever forward into the future. This is a film that moved me profoundly.
Soderbergh's 2-part CHE is a brilliant portrait of a major figure in 20th Century history, love him or hate him.
Dr. Ernesto "Che" Guevara was a Marxist, a soldier, a physician, a man of high moral standing and possibly the greatest Revolutionary warrior that ever walked the earth.
Critics of Che Guevara or Fidel Castro or the Cuban Revolutionary war like to paint them as murderers, as radical assassins or bloodthirsty killers. That's being un-informed. That's being ignorant.
Yes Fidel and Che are responsible for quite a few deaths. But as this film shows, no one was killed without a solid reason.
That Revolucion was for LOVE, believe it or not.
The most moving quote to me is from Che, stated in the film in voiceover:
LOVE. A True Revolutionary is guided by great feelings of Love.
Love of humanity, of justice and truth, it is impossible to concieve of an authentic revolutionary without this one quality.
Part One of Soderbergh's Che (The Argentine) was based on "Reminiscences of the Cuban Revolutionary War" by Che himself.
We are taken to Mexico City in 1955, where Che first met Fidel Castro. Fidel proposes Che join them in their fight to take down Batista, even though he's a foreigner. They discuss money, fighters they need, how this has to be a coup "with principles". By the time they leave for Cuba in November '56 (in a leaky boat?!) they have 82 men ready to fight. Only 12 would survive to the end to witness victory.
The film moves through 1957, 1958 and 1959 with brisk editing and nice titles to keep the viewer in context. Very intelligent film that doesn't make the viewer feel dumb.
Most of the main arcs in the story are covered: the full attack on the Uvero Barracks (Sierra Maestra region). The tactics and strategic planning by Che & Fidel (collumns, etc.) The "psychological impact" the revolution was aiming for. Finding food, dressing wounds, carrying comrades who are injured, concern and respect for peasants, all the things that go into a revolution. I was amazed at the detail of the recreations. Soderbergh did an astonishing job with this film. I don't know how he did not win a slew of Oscars. Benicio del Toro IS Che. I got a real sense that Benicio knew Che Guevara's thought patterns. He plays this man with such understated conviction that it's astonishing. Roger Ebert said his performance was "Heroic" and it is. CHE himself would smile a huge smile I think. What a performance. And what a fuckin' MOVIE.
Here in Ottawa we have a statue of Simon Bolivar and as soon as Part I was over I went out for a walk to take a picture of it (around 2am) and came back to watch part II. I'd always walked by the statue and made a note to take a snap, but after watching THE ARGENTINE I felt compelled to take that picture right away. It was pouring rain and the wind was howling but I took the picture anyway. It felt right. Bolivar was a Hero to Che, a man he wanted to emulate. Che wanted Latin America to be free of American influence, not just Cuba.
We learn that while Che was in the Sierra Maestra that he still had a complex, of being a foreigner, fighting for Cuba. Fidel (played by Demian Bichir) says: You trained with us, you came in the boat with us, you fought with us and you were wounded with us. You are as Cuban and Revolutionary as everyone here.