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Chris Knipp
08-14-2010, 03:42 AM
Ryan Murphy: EAT PRAY LOVE (2010)

http://a.imageshack.us/img22/4333/eatpraylove03535x356.jpg
RICHARD JENKINS AND JULIA ROBERTS IN EAT PRAY LOVE

Different things in different places

Review by Chris Knipp

Elizabeth Gilbert's bestselling book Eat Pray Love is the ultimate post-Seventies American female self-fulfillment story. A successful magazine writer, unhappy after a divorce and an affair with a younger man that didn't work out, takes a year off to live several dreams: to forget her inhibitions and guilt feelings, go to wonderful countries, eat good food, explore her spiritual side, and find love. As Liz, Julia Roberts has the right amount of soulfulness, charisma, emotion, and humor. Julia is adorable. We may know her a little too well, but we love her.

Eat, pray, love: that is the order of things. But the movie is really in five parts. First there is the failed marriage. Liz's husband of eight years, Stephen (Billy Crudup) is perfectly fine. They just were never fully committed to their marriage, and he can't figure out what he wants to do. He's recently switched to being a pastry cook, but now thinks he might like to become a teacher. He clings to the marriage with a vengeance, angry and crazy. When Liz breaks free of him, the second part begins: her affair with the young, charming, gorgeous actor, David (James Franco). She's instantly living with him and in his bed (details are omitted), but they fight, and she's miserable: another relationship that won't ever really work out. During these early scenes she plays off her best friend, Delia (the strong, assured Viola Davis). Delia has a baby, a solid marriage. She doesn't trust Liz's new project, David.

Here is when God comes in. Liz is so desperate she prays. Her prayer is almost a "meet cute" with the Almighty. She is so inexperienced, she says in her voiceover, she wants to start out "I've always admired Your work." From this comes the decision to spend a year traveling, whether Delia approves or not. She doesn't: she thinks it's just running away, and that Liz's solutions are really right there in New York.

In the tidy organization of Elizabeth Gilbert's book, eat, pray, love means: Italy, India, Bali. Each country has a designated function. In Rome, where she takes a big room in a disheveled flat for four months, Liz makes a small group of good friends who conveniently embrace her and introduce her to "dolce far niente," the Italian anti-Puritan philosophy that it's sweet to do nothing when you feel like it. She savors pasta, which is as lovingly depicted on screen as the prawns in the Italian film I Am Love. She takes her new Swedish girlfriend Sofi (Tuva Novotny) to Naples and makes her forget weight gain and eat the pizza. They buy larger jeans. Sofi's handsome Italian boyfriend Giovanni (Luca Argentero) coaches Liz so well in Italian she can follow conversation at parties and order a complicated meal in a restaurant. This experience climaxes at a Thanksgiving feast in Liz's honor with a family called Spaghetti. Everything in Rome is warm and beautiful.

Then bang! Liz is at the ashram in India of David's lady guru, only the guru's in New York. "Richard from Texas" (Richard Jenkins, in one of his most balls-out roles), a man who's made a mess of his life, talks in "bumper stickers" (as does the whole film) and tells Liz over and over to empty her mind and give up her guilt feelings. She learns to meditate. This segment is all about processing. Liz has sent David a well-worded goodbye email, and he calls her. She goes to an Indian wedding and flashes back to when she married Stephen. She imagines him dancing with her at the Ashram. There is not as much about the food, except that Liz eats so hungrily Richard from Texas calls her "Groceries."

At this point I was getting frankly rather weary. Eat Pray Love has as many costume and scene changes and musical interludes and dramas as a Bollywood spectacular and at two and a half hours is almost as long. Bollywood movies stop in the middle for an intermission or interval so the audience can go to the loo and get a sandwich and stretch. Not here. Julia Roberts and Ryan Murphy don't take a break. But I think what makes me so tired isn't the travel, the exotica, the food, and the merry-go-round of friendships and lovers, but the messages about Life. All this food, all this travel, and all this philosophy is an awful lot to take in, but it's the philosophy that's the most indigestible thing.

A woman friend told me she didn't like Elizabeth Gilbert's book. She found it "self-indulgent." Yes, it is. But that's the point. That's why it's the act of liberation every middle-aged, middle-class American white woman dreams of. Signor Spaghetti in Rome tells Liz truly that Americans don't know how to enjoy themselves. He speaks to this kind of woman. Liz is running, justifiably, from the lingering insistence that every woman is primarily fulfilled by finding the right husband and staying with him. And being embodied by Julia Roberts, Liz is hard not to like. She's not only a spiritual seeker, a gourmet, and a really nice person who's catnip to men. She also knows how to party.

Liz has been to Bali six months before the action begins and met with Ketut Liyer (Hadi Subiyanto), a cute old guru with no teeth. She will go back to learn more from him, but also find a man who needs her. When Liz leaves India and goes to Bali she gets closer to Ketut, and also to a woman with a cute little girl who's a traditional healer, whom she raises $18,000 for via email so she can buy a house. The healer is divorced too, as was Richard from Texas. So is the Brazilian import-export dealer, Felipe (Javier Bardem), with whom Liz finds love after he runs over her with his SUV. In the book, Felipe was older, as Liz was younger than Julia. Felipe indeed has a strapping 19-year-old Australian son, Leon (Tj Power) who comes to visit -- because he lived twenty years in Australia, where he raised several boys and lost a marriage. Will she stay with Felipe? The movie, landing on the side of keeping the options open, doesn't quite say.

You will have to see the movie to get the messages. They were lost on me, in one ear and out the other. There were too many of them, and they came too easily. I do not begrudge Elizabeth Gilbert her self-indulgence, or her travels, and she is lucky to have had such a string of handsome men to explore possibilities with. This is not Erin Brockovitch, or even Vivian of Pretty Woman (every ten years it seems, Julia embodies a larger-than-life female we can't forget), but Liz embodies a feminine explorer, flying high. This is a lady to put the trashy, superficial preoccupations of Sex and the City 2 to shame. Eat Pray Love is hard to sit through, but impossible to dislike. It is, finally, very much a woman's picture and a story for the devotee of self-help books. It is both more and less than Frances Mayes' Under the Tuscan Sun, another bestseller about an American woman seeking self-realization abroad. That was a superficial book and movie, focused on Italian real estate and Italian food. But its protagonist stays in Italy. I rather wish Liz had, too. But of course wonderful though it is, Rome doesn't have ashrams and gurus, or elephants, or Brazilians with plantations.

Johann
08-16-2010, 01:08 PM
"We love her"? Who's "we"?
I've never loved her. Ever.
Her acting skills aren't mind-blowing.
She has a charisma, but it's not a charisma that I'm attracted to.
There's something of a "count-your-lucky-stars-you're-a-superstar" vibe about Roberts, and I've seen very little to deny that.
Adorable? How? Because she smiles big? Because she's living a life that nobody else will?

I reckon this is a serious and shameless vanity project for Julia, a way to be paid a gazillion dollars to go where the rest of us will never go, eat what the rest of us will never eat, and do things that the rest of us will never do.
A paying moviegoer who likes to live vicariously through starlets will no doubt enjoy it to the hilt(on).

One of the reasons I'm glad I'm not a paid or recognized critic is that I don't have to sit through stomach-turning indulgent celluloid like "EAT PRAY LOVE".

More like, "starve, atheist! Hate!"
Ha HA ha

Chris Knipp
08-16-2010, 02:18 PM
Chill, man.

I was using "we" in the sense of the French on, which is defined as equivalent to "one, we, you, they, people, or the passive." People love her; she is loved. Trust me on that. Anybody whom people love, some sarcastic bastards hate. I admit that I personally find her pleasant and appealing, particularly liking her in ERIN BROCKOVICH. That is the role of a sociio-political heroine of our times. Otherwise she has chosen stuff when she was hard for most people do disposed not to like. And good for you to hate. Her brother, who as an actor is, I'd say, more gifted, drifted into the oppose kind of roles of slimebags, people "we" despise. And he is one apparently again in THE EXPENDABLES. Which one, you, we, and they ought to go out and see. Some think of the three main movies released Friday it is the most successful at doing what it sets out to do. I did not find any emotional connection with Julia Roberts in EAT PRAY LOVE (grammatically your joke opposite might better by STARVE CURSE HATE, don't you think?), and many reviewers have said they felt no chemistry between her and Javier Bardem. Anyway objectively their relationship is not as well or complexly shown as Liz's with Billy Crudup and James Franco. The only emotional moment for me was when Berdems film son ended his visit and they kissed and Bardem cried as he left. That was touching to me and human.

I did not find it torture to watch EAT PRAY LOVE though, like SCOTT PILGRIM, it seemed to me to go on too long. Like a Bollywood film, EAT PRAY LOVE is a delerious travellogue fantasy. I just wished she'd stayed in Rome. How nice it would be if I had a group of warm local friends such as Liz develops during her four months there. I have no desire to go to India and meditate, or to go to Bali and sit with a toothless guru. But great food and great friends in Rome, yeah. You can say the Rome of the film is glamorized in the cinematography, but then you are forgetting how beautful Rome is. It really does look like that, Italians really do look that good, and the food there really is that good.

Believe me, well off middle class white American people go to all those places. I just had dinner at my goddaughter's last night and people were talking about their recent times in Mexico, Italy, and the Far East, the places where Liz Gilbert went on her voyage of self-discovery and pleasure.

Chris Knipp
08-16-2010, 02:20 PM
Chill, man.

I was using "we" in the sense of the French on, which is defined as equivalent to "one, we, you, they, people, or the passive." People love her; she is loved. Trust me on that. Anybody whom people love, some sarcastic bastards hate. I admit that I personally find her pleasant and appealing, particularly liking her in ERIN BROCKOVICH. That is the role of a sociio-political heroine of our times. Otherwise she has chosen stuff when she was hard for most people so disposed not to like. And good for you to hate. Her brother, who as an actor is, I'd say, more gifted, drifted into the oppose kind of roles of slimebags, people "we" despise. And he is one apparently again in THE EXPENDABLES. Which one, you, we, and they ought to go out and see. Some think of the three main movies released Friday it is the most successful at doing what it sets out to do. I did not find any emotional connection with Julia Roberts in EAT PRAY LOVE (grammatically your joke opposite might better be STARVE CURSE HATE, don't you think?), and many reviewers have said they felt no chemistry between her and Javier Bardem. Anyway objectively their relationship is not as well or complexly shown as Liz's with Billy Crudup and James Franco. The only emotional moment for me was when Bardem's son in the film ended his visit and they kissed and Bardem cried as he left. That was touching to me and human.

I did not find it torture to watch EAT PRAY LOVE though, like SCOTT PILGRIM, it seemed to me to go on too long. Like a Bollywood film, EAT PRAY LOVE is a delerious travellogue fantasy. I just wished she'd stayed in Rome. How nice it would be if I had a group of warm local friends such as Liz develops during her four months there. I have no desire to go to India and meditate, or to go to Bali and sit with a toothless guru. But great food and great friends in Rome, yeah. You can say the Rome of the film is glamorized in the cinematography, but then you are forgetting how beautful Rome is. It really does look like that, Italians really do look that good, and the food there really is that good.

Believe me, well off middle class white American people go to all those places. I just had dinner at my goddaughter's last night and people were talking about their recent times in Mexico, Italy, and the Far East, the places where Liz Gilbert went on her voyage of self-discovery and pleasure.

I could not stomach SEX AND THE CITY 2, though the first SEX AND THE CITY I'm gay enough to have loved. The utter superficiality and egocentrism is in sharp contrast to Elizabeth Gilbert's sincere desire to develop her spiritual side and learn to enjoy the good things of life. This movie is not made for you, Johann, but for mostly middle-aged women, and THE DARK KNIGHT or INGLOURIOUS BASTERDS aren't made for those ladies who will have a very good time at EAT PRAY LOVE. Is it not as good as the book? Well, for obvious reasons it can't be, just as the Jane Austen films aren't as good as reading, on a much higher plane, a novel by Jane Austen. The books are about what happens in the head and the heart, and the movies are about what happens in the bedroom and the bazaar. You will/wouid probably like ANIMAL KINGDOM better. I think I would.

Johann
08-17-2010, 10:39 AM
:)
I'm chillin'.

Chris Knipp
08-17-2010, 11:47 AM
The gist of my opening paragraph really is that we're supposed to love her. Even after 40 years in California I still retain a bit of irony in my blood. However I personally have never had anything against the lady. She has a sense of humor about herself, more than most Hollywood A-listers.

That review now is published on Cinescene with a good one by Howard of Guadignini's I AM LOVE:

www.cinescene.com

EAT PRAY LOVE (http://www.cinescene.com/knipp/eatpraylove.htm)

I AM LOVE (http://www.cinescene.com/howard/iamlove.htm)

Howard Schumann
09-10-2010, 01:41 PM
EAT PRAY LOVE

Directed by Ryan Murphy, (2010), U.S., 140 minutes

Most films avoid themes about self awareness, personal growth, and transformation, settling instead for comedy and drama within accepted religious or community guidelines. This subject matter, however, is tackled head on (if somewhat superficially) in Eat Pray Love, a film by Ryan Murphy based on the best selling book by Elizabeth Gilbert. Written by the director and Jonathan Salt, Eat Pray Love starring Julia Roberts as Liz Gilbert is an entrancing travelogue, a romantic comedy, and a spiritual adventure all wrapped in one engaging package. Liz is looking for personal growth and enhanced self-awareness as summarized in Werner Erhard’s discussion of transformation, “You get to look deep down and find out something profound about yourself”, he said. “You come to know yourself, not what you think, not what you feel, but you come to know yourself honestly.”

Julia is a sure box office draw and almost an American film icon and her performance more than lives up to expectations. Liz Gilbert is a prominent New York journalist. Although married now for eight years, Liz can no longer relate to her husband’s (Billy Cruddup) ambitious lifestyle. When he asks for a trip to Aruba, she asks for a divorce. Though at first unwilling, Stephen finally agrees. Shortly thereafter, Liz begins a relationship with David (James Franco), a handsome actor who has a spiritual side and is devoted to a woman guru in India. Eventually Liz is torn by what seems to be her controlling nature or perhaps it is that her personality becomes subsumed by the demands of each relationship. Looking into herself, Liz experiences her own guilt and regret.

Like others seeking transformation, she is perhaps somewhat self absorbed but is clearly a woman who longs for a more satisfying life. To this end, she decides to take a year off from her work and travels to distant places such as Italy, India, and Bali in hopes of finding herself. In Italy she meets Sofie (Tuva Novatny), a young woman from Sweden who is also looking for fulfillment. Sofie guides her to her Italian tutor (Luca Argentero) and his friend Luca Spaghetti (that’s right) played by Giuseppe Gandini. Luca tells Liz that Americans work too hard and know nothing about pleasure. Taking his advice seriously, Liz savors the delights of Italian food, devouring some sumptuous-looking spaghetti and even taking a side trip to Naples to discover the wonders of Italian pizza. As she slowly senses her passion for life returning, she decides to end her affair with David via e-mail.

In gratitude for the love and support she has received from her new found friends in Italy, Liz prepares a Thanksgiving dinner before leaving for a Hindu ashram in a rural village in India. During the process of scrubbing floors as part of her service to the ashram, she meets and becomes friends with Tulsi (Rushita Singh) a young Indian girl who is unhappy about her upcoming arranged marriage. Liz also becomes good friends with Richard (Richard Jenkins), an American from Texas, who is suffering from his own personal pain. Richard advises Liz to forgive herself and let go of the past. His counsel is to live in the present moment and, in one of the emotional highlights of the films, tells Liz about his own battle with guilt and remorse.

On the last leg of her trip in Bali, Liz discovers that the external God that she has been seeking lies within herself and that she has the power to transform her own life. Her final challenge occurs when she meets a handsome divorced Brazilian Felipe (Javier Bardem). Mirroring Anais Nin’s conflict in deciding whether the risk “to remain tight in the bud is more painful than the risk it takes to blossom,” she struggles with the choice of holding to her new found spiritual and personal reality or giving herself completely in a relationship.

By the end of the film, though Liz has a way still to go (like all of us), her spiritual journey has made her more self aware and has brought her closer to self acceptance and personal transformation. It turns out that her real voyage of discovery lay in Proust’s phrase, “not in seeing new landscapes but in having new eyes.” Eat Pray Love is engaging and inspiring for anyone who is seeking a deeper understanding of what makes life work.

GRADE: B+